Pupi Avati
Pupi (Giuseppe) Avati was born in Bologna in 1938. After attending school and studying Political Science at the University of Florence, he started working at a frozen food company. At the same time, he developed a passion for jazz, becoming a proficient clarinetist. In the second half of the 1950s, he formed and played in the Doctor Dixie Jazz Band, of which Lucio Dalla was also a member.[3] Although he initially intended to be a professional musician, Avati felt he lacked the necessary talent. In the mid-1960s, he decided to dedicate himself to cinema after seeing Federico Fellini's 8½ and its portrait of the role of a director.[4] Avati's passion for music, as well as his love for his hometown, which was the setting of many of his films, were to become recurrent themes found in his productions.
Known for
- Domenica In (1976)
- Gian Luigi Rondi - Vita, cinema, passione (2014)
- Welcome Mr. President! (2013)
- La voglia matta di vivere (2022)
- Painted Screams (2025)
- La nostra magnifica ossessione - Bernardo Bertolucci e la sua generazione (2025)
- Portrait Of My Father (2010)
- Pietro Germi - The Good, The Beautiful and The Bad (2009)
- C'era una volta il prossimamente (2014)
- Italy Possessed: A Brief History of Exorcist Rip-Offs (2020)
- Paolo Conte, Come Away with Me (2020)
- Venticinque anni di culto (2002)
- Boia, maschere e segreti: l’horror italiano degli anni sessanta (2019)
- 27 aprile Racconto di un evento (2014)
- Noi c'eravamo (2011)
- L'incanto (2025)
- Alberto Sordi Secret (2024)
- La Piazza che verrà, Bologna e il Cinema (2022)
- Biasanòt (2023)
- The Day of the Two Holy Popes (2015)