Maude Eburne
From Wikipedia, the free encyclopedia Maude Eburne (born Maud Eburne Riggs, 10 November 1875 – 15 October 1960) was a Canadian character actress of stage and screen, known for playing eccentric roles. Eburne began her career in stock theater in Buffalo, New York. Her early theater work was in Ontario and New York City, debuting on Broadway to great acclaim as "Coddles" in the 1914 farce A Pair of Sixes. "When I first came to New York... I said I didn't want to be beautiful young girls or stately leading women, but wanted parts that had something queer in them, especially if there were dialect." She continued to play mainly humorous domestic roles on stage, appearing in productions such as The Half Moon (1920), Lady Butterfly (1923), Three Cheers (1928) and Many a Slip (1930), before her first significant film role — and first sound film role — in The Bat Whispers (1930), director Roland West's sound remake of his 1926 silent feature The Bat.
Known for
- To Be or Not to Be (1942)
- Ruggles of Red Gap (1935)
- Vivacious Lady (1938)
- The Princess and the Pirate (1944)
- Ladies They Talk About (1933)
- The Warrior's Husband (1933)
- You Belong to Me (1941)
- Riders of the Black Hills (1938)
- The Amazing Mr. Williams (1939)
- The Chance of a Lifetime (1943)
- Don't Bet on Blondes (1935)
- The Suspect (1945)
- The Trial of Vivienne Ware (1932)
- Return of the Terror (1934)
- Live, Love and Learn (1937)
- My Wife's Relatives (1939)
- There's One Born Every Minute (1942)
- The Woman from Monte Carlo (1932)
- The Vampire Bat (1933)
- The Strawberry Blonde (1941)