Jean Rouch
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Known for
- Chronicle of a Summer (1961)
- The Lovely Month of May (1963)
- Ciné-Portrait of Raymond Depardon (1983)
- Cinématon (1978)
- Son of Gascogne (1995)
- Jean Rouch: First Film 1947-1991 (1991)
- Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...) (1999)
- Freddy Buache, le cinéma (2012)
- Nouvelle Vague : El cine sin dogmas (2000)
- Outlaw (2025)
- Pierre Fatumbi Verger: Messenger Between Two Worlds (1998)
- My Conversations on Film (2013)
- La Nouvelle Vague par elle-même (1964)
- The Dreamed Films (2010)
- Samba the Great (1977)
- A Friendly Handshake (1997)
- Letter to Jean Rouch (1992)
- The Mad Masters (1955)
- The Doll (1962)
- Jean Epstein, Young Oceans of Cinema (2011)