Vsevolod Pudovkin
From Wikipedia, the free encyclopedia Vsevolod Illarionovich Pudovkin was a Russian and Soviet film director, screenwriter and actor who developed influential theories of montage. Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals. He was granted the title of People's Artist of the USSR in 1948.
Known for
- Ivan the Terrible, Part I (1944)
- Ivan the Terrible, Part II: The Boyars' Plot (1958)
- The End of St. Petersburg (1927)
- The Living Corpse (1929)
- Mother (1926)
- In the Days of Struggle (1920)
- The Death Ray (1925)
- The New Babylon (1929)
- The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924)
- Bricks (1925)
- Admiral Nakhimov (1947)
- In the Name of the Motherland (1943)
- The Magic Beam (1963)
- The Happy Canary (1929)
- Young Fritz (1943)
- Sickle and Hammer (1921)