Teo Hernández
Téo Hernández (23 December 1939 - 29 August 1992) was born in Ciudad Hidalgo, Mexico. After studying architecture, he founded with a friend the CEC (Centro Experimental de Cinematografia), in Mexico City. In 1960, the French Institute of Latin America financed the first project of the group, a documentary that will remain unfinished. He moved to Paris in 1966. From 1968 to 1975, he made films in super 8 in London, Paris, Morocco and Denmark. Then accompanied by Michel Nedjar with whom he turned "Michel là-bas" in Morocco, he traveled for six years in India, Nepal, Greece ... Back in Paris, he realized Salomé (1976) in the spirit of Oscar Wilde. He meets Gaël Badaud, with whom he begins a long series of collaborations where elements of his own experience are incorporated in the films. In 1977, he realized Cristo, which will be part of a trilogy on passion with Cristaux and Lacrima Cristi. In 1980, with his friends (Nedjar, Jakobois and Badaud) he founded the group MétroBarbèsRochechou Art.
Known for
- The Sun Also Rises (1957)
- Cinématon (1978)
- Cinématon II (1978)
- Le printemps (1987)
- Angle (1978)
- J'aime (1978)
- 4 à 4 Métro-Barbès-Rochechou-Art (1983)
- Téo (2004)
- Teo (1978)
- Les Jours et les Nuits (2021)
- Désir (1977)
- Ephemeral (1979)
- Cristo (1977)
- Fragments (1987)
- Le gant de l'autre (1977)
- Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I) (2014)
- Un cinéaste qui ne tient pas la caméra est comme un peintre qui ne tient pas le pinceau (Conversation avec Teo Hernandez II) (2014)
- À quoi rêve l'araignée ? (1982)
- Le chant de l'âme (1989)
- Au cœur du cristal (1980)